Место издания:Издательство Дальневосточного федерального университета Владивосток
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Аннотация:The music of the Evenk shamanic rite had a significant influence on the musical characteristics of
the rites of neighboring peoples (Sakha, Dolgan, Nganasan, Tundra Enets, etc.). It manifests itself in the use of the same type of the drum (mid-Siberian), the heterophonic type of polyphony, the respiratory structure of singing (the singing-chant type), the important role of onomatopoeic signals, and even the borrowing of melodies. The noted phenomena can be explained as a result of cultural contacts, as well as a result of the practice of training neophyte neighbors by experienced Evenk shamans.