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Literature, music, and science in nineteenth century Russian culture: Prince Odoyevskiy's quest for a natural enharmonic scaleстатья
Статья опубликована в высокорейтинговом журнале
Информация о цитировании статьи получена из
Web of Science,
Scopus
Статья опубликована в журнале из списка Web of Science и/или Scopus
Дата последнего поиска статьи во внешних источниках: 25 января 2019 г.
- Автор: Bayuk D.
- Журнал: Science in Context
- Том: 15
- Номер: 2
- Год издания: 2002
- Издательство: Cambridge University Press
- Местоположение издательства: United Kingdom
- Первая страница: 183
- Последняя страница: 207
- DOI: 10.1017/S026988970200042X
- Аннотация: An attempt to understand and analyze a unique nineteenth-century musical instrument - the enharmonic piano from the collection of the Glinka Museum of Russian Musical Culture in Moscow - directs a historian towards Prince Vladimir Odoyevskiy's efforts to construct a special musical scale corresponding to the indigenous tradition of Russian music. Known today mostly as an author of Romantic short stories, Odoyevskiy was also an amateur scientist and musician, a follower of Schelling's Naturphilosophie, and a mystic. He tried to design his new musical scale and instruments on the basis of experimental science and mathematics. Odoyevskiy's life-long search for a synthesis of literature, music, positive science, and spirituality demonstrates how the adaptation and appropriation of European arts preceded and paved the way towards the appropriation of European sciences among the educated elite in nineteenth-century Russia. The tensions inherent in the process led to Odoyevskiy's nationalist rebellion against the European musical standard, the equal temperament. His call for a different musical scale remained largely ignored in the nineteenth century, until the topic was raised anew by twentieth-century composers and musicians.
- Добавил в систему: Баюк Дмитрий Александрович