Место издания:Institute of Czech Literature of the Czech Academy of Sciences
Первая страница:23
Последняя страница:30
Аннотация:The article discusses the results obtained with the help of a computer program
created for the automatic analysis of strophic syntax. The program
was created using Boris Tomashevsky’s method, which is based on analyzing
the punctuation at the end of poetic lines (the strength of the syntactic
pause is evaluated depending on the absence or presence of a sign: i.e. a
comma, a dash, a semicolon or a full pause / question / exclamation mark).
The analyzed texts (more than 18,000 stanzas) divided into two distinct
groups, consistent with chronology. The continuity of Ariosto with respect
to the lyric octave of Poliziano, as well as the difference between the
octave of Tasso and the octave of Ariosto, was established. This positive
result shows the necessity of a macrostudy that would include a much
larger number of texts from different national traditions.