Аннотация:The specificity of the heading-final complex of Anna Akhmatova’s “Poema bez geroya” [“Poem Without a Hero”] is based on the fact that the semantics of the components included in it refers to several sources at once, and allusions to the works of English romantics, authors of poems, play the most important role among the components included in the Poem's frame. and above all to J. G. Byron. The authors show that the poetess often “hides” Byronic allusions in the reception from Pushkin’s poems (mainly “Eugene Onegin”), placing them in the heading-final complex. The article proves that this technique is used by Akhmatova to build the genre genealogy of her own poem, which goes back to the tradition of English romantic poems, mediated by the tradition of A. Pushkin. The reason for turning to this tradition, according to the authors, lies in the tragic personal and epoch-making collisions, the genre interpretation of which could become the transformed Akhmatova canon of the romantic poem, the founder of which was Lord Byron.