Cognitive Potential of Visual Memory in the Context of Museum Criticism // The Language of Humanities: Between Word and Image / Ed. by Anatoli Mikhailov. – Vilnius: Ciklonas, 2020. – Pp. 87-90

Letyagin, L.

Автор: Letyagin L.
Сборник: The Language of Humanities: Between Word and Image / Ed. by Anatoli Mikhailov. – Vilnius: Ciklonas, 2020. – 163 p
Год издания: 2020
Аннотация: The modern museum is not only in the sphere of mass interests, but it also serves as an expression of certain mass trends. The attention of visitors to the history of everyday life greatly influences the dynamics of changes in the creative potential of the museum – above all, the memorial museum. The development of innovative technologies related to the formation of the museum as a scientific and organizational sphere involves the study of trends that have become the basis for constructing the substantive aspects of museum criticism. This implies the clarification of practical tasks that are focused not only on understanding the museum as a zone of cultural leisure and relaxation, but also on preserving the traditional status of the museum, its development as an educational resource. Today it is early to say that the complex methodology of museum criticism has been developed in detail, taking into account the diversity of practices of the modern museum. The scientific novelty of the article lies in the deliberation on the problem concerning the pedagogical perspective of the museum’s criticism which focuses on the study of the “evidence paradigm” as the most effective model for the attribution of memorial objects.
Добавил в систему: Летягин Лев Николаевич

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Cognitive Potential of Visual Memory in the Context of Museum Criticism // The Language of Humanities: Between Word and Image / Ed. by Anatoli Mikhailov. – Vilnius: Ciklonas, 2020. – Pp. 87-90статья

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