Место издания:Cambridge Scholars Publishers Newcastle upon Tyne
Первая страница:31
Последняя страница:31
Аннотация:The paper is dedicated to two prominent representatives of Hindi literature –Mahavirprasad Dvivedi and Hazariprasad Dvivedi. The first, as an editor of literary magazine “Sarasvati”, created a standardized literary, mainly poetical Hindi based on a spoken dialect khaŗī bolī. The second continued to develop Hindi prose based both - on European and Indian literary traditions. Mahavirprasad introduced a new conception of arthasaurasya. Two of his best disciples, Maithilisharan Gupta and A.S.Upadhyay Hariaudh, fulfilled ideas of Mahavirprasad. Hazariprasad represents the epoch of the post-colonial, independent India. He is mainly known as one of the most authoritative specialist in the history of Indian literature and a Professor. On the basis of his articles and two novels: the first, published in 1946, “An Autobiography of Banabhatta” and the last - “The Manuscript of Anamdas” (1976), the paper shows his contribution into modern Hindi prose and fiction. At the conclusion the paper discusses what is common and different between Hazariprasad’s and Mahavirprasad’s conception of Hindi language and literature.